As I see It
Friday, January 20, 2012
My site is DadsBlueAngel easiest to find through a keyword--maybe storming. You might also try Brigadier General Phillip, former Commander of the Camp under Bush. He hasaVideo on Facebook
and You Tube, on the immediate situation. Please watch it. The situation is being blamed on Obama, but I think Hillary is much more likely to be at blame. There was a vast prison massacre under
Clinton and Ashraf contained museums and memorials that were very detailed.
Obama would have to fire her, very nearly or in fact, and she is likely to be the next president.
Unlikely if this is brought to light and blown up large. The conservative link may come from a very
little spoken of CIA project to create an assasen using Ashraf as a base. Idon't know this, but it may be inferered by many connect the dots mentions. Sometimes it is a mistake to connect the dots, sometimes not. But that Obama may not have the power to take the PMOI off the terrorist blacklist,for whatever reason, is likely orhe would have done it. A process of elimination keeps bringing me back to Hillary as the source.
Tuesday, December 20, 2011
Saturday, February 27, 2010
I suppose you could call this a multiple-memory play since it recounts eight veterans' tour of duty in Vietnam at the height of that disastrous conflict through a series of vignettes and soliloquies. If you think of a memory play as a low-key, quiet drama, scratch that description in relation to Tracers.
This is an in-your-face primal scream of a play with more noisy and disquieting moments than quiet ones. Definitely not the show for introducing your visiting aunt from Ft. Wayne to New York's Off-Broadway Theater. It also isn't for those who feel that plays about that unfortunate war should be relegated to the history books and visits to the Vietnam War Memorial.
Hard-edged and gritty as it is, this drama nevertheless has intermittently amusing moments. Within its tough-as-nails and seemingly single word vocabulary, are poetic nuggets that invest the otherwise army-issue cast of characters with individuality and humanity. I can't compare the current limited run production to the 1980 version directed by its creator, Vietnam veteran John DiFusco, or to its other permutations, including a 1984 production at the Papp Public Theater (again directed by DiFusco). However, while Vietnam is no longer a hot theme,Tracers as directed by Leo Farley, (also a Vietnam veteran), has arrived at the 29th Street Rep with its dramatic muscle intact. Farley has mounted the play with production values that, considering the confines of the tiny stage, are nothing short of amazing. The eight actors he's assembled work as a solid ensemble while also making the most of the star turns the script provides.
The cast's ensemble excellence is best illustrated by two scenes:
The first, shows six of the young vets as new recruits being put through a grueling discipline session by their drill sergeant (William Francis Smith). Each ""maggot" is humiliated and stretched to the limits of his physical endurance -- this being a live stage and not a movie, one can only marvel at the stamina of the actors. Just when the drill becomes almost unendurable and the sergeant unbearable, he grabs our hearts with the saddening insight that drives him: The fact that one in a thousand of these kids is a warrior and that eighty per cent of them will be "targets".
Even more wrenching is a scene where the under-privileged, under-educated, under-trained soldiers drag the green net that serves as an effective multi-purpose prop, (and the centerpiece of Mark Symzak's set), to simulate a blanket in which they are wrapping the bodies of their dead compatriots who will go home in body bags, (often with missing or mismatched limbs). The war has coarsened them and seduced them into drug and alcohol abuse, but they have not become too dehumanized to be sickened by the scene in which they've been cast -- a scene that epitomizes the comment by the soldier known as The Professor (Neil Necastro) about often feeling "like a character in a Pirandello play".
Some of the most affecting of the individual and duet scenes are the more quiet ones. For example, Dinky Dau's (Thomas Wehrle) reading of a "Dear John" letter and the short but doomed get-acquainted scene between the above-mentioned Professor and Doc (David Mogentale).
Abetted by Stewart Wagner's lighting and Gerard Drazba's sound design, the play seagues from grunge and war to the dance movements of a Greek chorus -- highly dramatic if a tad too self-conscious and mannered.
Like the last show I saw at the 29th Street exactly a year ago, (Pig), Tracers is very much in keeping with the company's dedication to "daring, thought-provoking" plays even if they run against the grain of what is considered commercial.
TRACERS by John DiFusco
Directed by Leo Farley
With Tony DeVito, David Mogentale,
Neil Necastro, Jonathan D. Powers, Walker Richards,
Vincent Rotolo, William Francis Smith, Rhomas Wehrl
On Hard Science
At this time and for the last nearly 40 years or more, science has been, at least in the field of virology, microbiology and immune dysfunction, a matter of satisfying personal and geopolitical prestige and the egos of nations and those who act on their behalf as they imagine it--their maintenance of power through retention of incumbency.
Animals, moving in their simpler worlds, can only act rationally.
The cat devises stratagem to catch the mouse in order to catch
and eat it.
People, on the other hand employ complicated means in order to get money and through that prestige through possessions. The cat simply sprays its scent about in order to lay claim to its territory.
In science, a previous paradigm must be upheld in order to impress those who maintain the status quo and pass out the grants or paychecks.
The idea is not to reach a conclusion through scientific means, but to fail to reach a conclusion
that is unwanted. A question may be asked and answered repeatedly, only for grant money to be payed out again to repeat the research until someone is willing to be a team player on a pretty damn crooked team.
Deer graze and drink and flee from enemies--all simple rational processes. Humans use means to ends which may make no sense at all, except that it is what reigning powers and institution desire or wish to conceal.
Kathleen
Monday, October 19, 2009
Science Writing and Existence
Monday, October 19, 2009
Science, Writing and Existence
I don't think I wrote this.Before the break, I promised I would say something about the difference between the logical and the existential conceptions of science. Heidegger makes this distinction in Being and Time, where he distinguishes between approaching science as "an interconnection of true propositions" and a "mode of Being-in-the-world" that discovers truths (H. 357). Heidegger is interested in the ontological conditions of "the theoretical attitude".
He emphasizes, however, that it is not merely the opposite of a "practical" attitude. Science ("theoretical exploration") is not a matter of "hold[ing] back from any kind of manipulation". On the contrary, Heidegger says, science requires a great deal of practical activity: setting up experiments in physics, preparing slides for observation through the microscope, digging up artifacts for archaeological research. Here, already in 1927, Heidegger is heralding the emergence of what we today call "science studies", i.e., the interdisciplinary study of science as variety of social and material practices. Playing on one sense of the German word "Betrieb", I have previously called this conception "science as hustle and bustle" (here and here).
Writing plays an important role in this regard. "Even the 'most abstract' way of working out problems and establishing what has been obtained, one manipulates equipment for writing, for example" (H. 358, my emphasis). In fact, Heidegger has earlier defined human existence by rereading Aristotle's famous characterization of human beings as "rational animals" as "that living thing whose Being is essentially determined by the potentiality for discourse" (H. 25). In this sense, then, Foucault's early work on "discursive formations" can be considered an "existential" analysis of science. It is also, of course, an important part of the transition from the philosophy of science in the traditional sense to contemporary "science studies". While writing is not the only practical aspect of modern research, it may be the most straightforwardly "existential", as the slogan "publish or perish" reminds us.
Saturday, September 12, 2009
Ashraf City via the Deseret News
Deseret News , Sept. 11, 2009
1 comments:
At this time and for the last nearly 40 years or more, science has been, at least in the field of virology, microbiology and immune dysfunction, a matter of satisfying personal and geopolitical prestige and the egos of nations and those who act on their behalf as they imagine it--their maintenance of power through retention of incumbency.
Animals, moving in their simpler worlds, can only act rationally. The cat chases the mouse in order to catch and eat it.
People, on the other hand employ complicated means in order to get money and through that prestige through possessions. The cat simply sprays its scent about in order to lay claim to its territory.
In science, a previous paradigm must be upheld in order to impress those who maintain the status quo and pass out the grants or paychecks.
The idea is not to reach a conclusion through scientific means, but to fail to reach a conclusion
that is unwanted. A question may be asked and answered repeatedly, only for grant money to be payed out again to repeat the research until someone is willing to be a team player on a pretty damn crooked team.
Deer graze and drink and flee from enemies--all simple rational processes. Humans use means to ends which may make no sense at all, except that it is what reigning powers and institution desire or wish to conceal.
Kathleen